Author Archives: VIXmedia

Reflections in the Park : Interactive Installation

My Art reflects our present day culture in the new millennium. Now, in 2026, it is habitual for individuals to be making endless choices to custom tailor their life experiences. Reflections in the Park is 21st C. contemporary art work because it encourages the art viewer to become a participant and interactively customize the artwork to their own preference. I provide the menu of curated material for the work, but the participant creates their unique art experience.

While Sarah Joyce was one of the curators at the  New Media Gallery, located at the Anvil Centre in New Westminster, we had a chance to discuss many topics in contemporary art. The groundbreaking exhibits she organized with her co-curator, Gordon Duggan, were deeply inspiring and often featured interactive or responsive visuals. We agreed that these were great examples of the audience being cast in the role of participant or co-creator in the work. There is a list of past exhibits remaining on the site as a legacy of their curatorial tenure.

I am fortunate to be a sessional instructor at the Art & technology LAB which is the educational space overseen by New Media Gallery. I must credit the strong influence of the exhibits I enjoyed on my work, and also credit Christopher Jung, my supervisor at the Art & technology LAB, for his invaluable assistance in getting me started with TouchDesigner. There are many classes at the LAB in topics found in the crossover space between art and technology that can be found when available for sign up here. If you are interested in checking out what is available at the Lab before committing to a class, everyone is welcome to drop by for Open Lab on Saturday between 3 – 6 pm. The details are on the Open Lab page and registration is required to access some of the more specialized equipment. I was able to start developing my TouchDesigner ideas during an Open Lab because there is a computer with a full software license. This powerful computer requires Open Lab registration to be set up.

Reflections in the Park is curated to be a commentary on urban noise. In Vancouver, Canada, where I live, even the most iconic parks have freeways built over them. This particular one, Burnaby Lake Park, has birds and even a beaver included in the work, but the noise of the vehicle traffic and transit trains is ever present. This oasis of nature looks idyllic, but human transportation priorities intrude to exclude the natural tranquility and quiet that is the natural habitat of these creatures..

 

The “reflections”  in the title can be quite literally the dappled light patterns on the bridge caused by the sunlight reflecting off the river running beneath. There are also reflections on the surface of the water. This bridge is in Burnaby Lake Park in Burnaby, BC, Canada. The work might also inspire reflective thought about the lack of space for quiet reflection in urbanized areas, even in our “natural parks”. There was a video I did not include in the work because I feared the cumulative noise of the freeway, the transit train, an emergency car siren and a freight train could cause ear damage. I may play a snippet at an artist talk so people can understand the reason why I think that urban noise should be addressed. All I can do is demonstrate that I think there could be ways to make transportation quieter if effort was put in that direction. In addition, parks were originally set aside to provide respite for humans and other creatures. However, many larger parks are seen as “empty” spaces by urban planners, ideal areas to construct highway overpasses or run elevated rapid transit through.

Work in Progress showing at Touch Designer YVR Exhibit
Work in Progress showing at TouchDesigner YVR Exhibit

This is the first exhibit I have made using the TouchDesigner program. Many of the skills I learned in MIDI control, video creation and image management have transferred to the new work environment. These photos were taken at a July 7th TDYVR  meeting where performances were featured. It was great to show my work in progress and I had many participants who were very complimentary. However, I did not record any of the comments so I cannot transcribe them here. It is massively encouraging to receive positive feedback and I am now seeking other venues to show the work.

 

 

BOXSET

BOXSET large poster

Join us as we explore the many possibilities.

This is your invitation to enjoy our collection of short stories told using sound, light, and motion.

We are fellow travellers inside our BOXSET.

Victoria Gibson, media artist and musician, partners with Miriam Esquitín, movement specialist, to transport audiences into their own multi-dimensional reality.

Play the Moment provides live music.

Woodwards Building - KW Studios Atrium
Click to go to Google Map

Place: KW Studios Atrium, Woodwards Courtyard, 111 Hastings St West, Vancouver

Date: October 28, 29, 30

Times: 2 shows daily at 6:00pm – 7:00pm and at 7:30pm – 8:30pm

Live Streamed to You Tube on Friday, October 29th at 6pm PDT

Presented by VIXmedia and Heart of the City Festival — Thanks to KW Studios

Dedicated to Paul Plimley 1953-2002

 


Heart of the City FestivalDo you believe in magic? Come and join us in a space where the impossible is visualized with sound, light and motion. Slip into a dreamspace inside the BOXSET where a series of surreal experiences await. Every journey is different as we encounter new energy and emotion to claim the imagination of both the performers and the audience.

A collection of short live music works with projected visuals created by Victoria Gibson, media artist and musician, are enhanced by interaction with Miriam Esquitín, movement specialist. The inspiration for each work comes from our natural environment, but suspends the usual physical rules of reality.

Live music is provided by Play the Moment Collective. Victoria Gibson, vocals, electric guitar, percussion and electronics; Adrian Adrian Avendaño, drums and percussion with James Meger, bass or Clyde Reed, upright bass ( Oct.29th show)

Visit a sunset on Acadia Beach, see a forest from a new perspective, enjoy the blossoms of summer then splash in the rain, or travel to the stars. Let the music take you on a trip outside the everyday world — all you have to pay is your time and attention.


Play the Moment 

Photo Credit: David Cooper of Crane Studios for Heart of the City Festival

 

Play the Moment is an improvising media performance ensemble founded by Victoria Gibson in the year 2000.

More information about past performances can be found here on this website.

Victoria Gibson (1956) creates work that emerges from the nexus of art and technology to fuse previously discrete disciplines into Integrated Media productions. Working with sound, using both electronic and acoustic source materials, she explores new compositional structures. It is an important part of her practice to leave space for interpretation and improvisation using audio and visual materials within these flexible containers.. 

In performance she also triggers samples she recorded while controlling a variety of curated visual materials and playing electric guitar, percussion, or vocalizing. Combining elements from her musical blues heritage with music she has studied from around the world she creates a sonic landscape in the digital domain. Victoria, holds a BA, major in music from UBC and is a resident of Vancouver, Canada.

 

 

Photo Credit: Diane Park

 

Miriam Esquitín is a dance artist that sees herself as part of a movement to create more access to dance and the arts.

Miriam is the Co-founder and Director of Polymer Dance: a community-based, contemporary dance troupe for adults in Vancouver that started in 2012. Polymer Dance is about training for longevity and ensemble improvisation in public spaces.

Miriam’s interests focus on original movement through pure physical exploration of the body and in dialogue with the space. Representation or expression are relinquished to surrender to deep curiosity and embodiment.

Miriam is an immigrant from Mexico, grateful to live and dance in the unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) people.

She’s been fortunate to dance with and learn from teachers and choreographers from around the world, and particularly with the Polymer folks. Miriam holds a Contemporary Dance Teaching Certificate from the Universidad de las Américas-Puebla. Her background includes contemporary dance, modern, ballet, music and Tai Chi. She also holds degrees in Social Anthropology.

 

 

Photo Credit: Alisha Weng

 

 

 

Adrian Avendaño (1993) is an emerging sound artist, musician and recordist based in Surrey / Vancouver, Canada [unceded First Nation territories].  Recent projects include Sonic Symbiotic with Roxanne Nesbitt where he performed alongside the instruments of Harry Partch, and Parallel 03 with experimental music duo ENDLINGS (Raven Chacon and John Dietriech of Deerhoof) alongside musicians of the Vancouver creative music community. He was the recipient of the Canada Council for the Arts: Digital Originals funding initiative working with Chilean sound artists Tebo Henriquez and Bastian Diaz. Port Parallels – Acoustic Meridians was a remote collaboration exploring open-source hardware and software to develop methods of interpreting graphic and animated scores. He was a performer and composer for John Brennan’s Rudiments for Hexadrome performance and installation project for the 2021 Vancouver International Jazz Festival. He returned to perform at the festival in 2022 playing with experimental music project LITTLES at Ironworks. He currently plays with Gamelan Bike Bike and studies traditional Korean drumming with Dr. Peter Joon Park.

 

James_Meger-bass

James Meger is a Vancouver-based bassist and composer working primarily in the fields of jazz, free improvisation and rock. As a performer, his work has been showcased through national and international tours and through recording projects and concerts alongside artists including Kenny Wollesen, Chris Speed, Kris Davis, Wayne Horvitz, Lori Freedman, Ig Henneman, Darius Jones, Peggy Lee and Tony Wilson, among others. James is also active as a sideman and co-leader in various ongoing projects, which showcase his versatility as a player and arranger. These include: Peggy Lee’s Echo Painting, Sick Boss, The Bruno Hubert Trio, Ten Thousand Wolves, The Now Society Ensemble, I Think I Saw You See Me, The Sumner Brothers, Josh Zubot’s Strings, Tony Wilson’s Burn Down The Cornfield and Elisa Thorn’s HUE, among others.

As a composer and producer, James has written and arranged music for bands (Sick Boss, Braveheart, Debra-Jean Creelman), interdisciplinary dance (Lesley Telford’s Spooky Action, Anecdote and Unison), music-theatre (collaborating with Barbara Adler on Pathetic Fallacy, Klasika and Decoy), and for sound installations (Signals from the Mountain, 2015). He also co-curates an interdisciplinary performance series at the Gold Saucer Studio in Vancouver called Sawdust Collector.

October 28 and 30th shows only

Clyde Reed plays October 29th.

Clyde Reedphoto by Chris Randle
Photo Credit: Chris Randle

 

Clyde Reed is a long-time member of the vibrant creative music scene in Vancouver. He has performed at major jazz festivals in North America and Europe. Long term musical collaborators include Jared Burrows, Nikki Carter, Bruce Friedman, Vinny Golia, Rich Halley, Kenton Loewen, Paul Plimley, Claude Ranger, and Carol Sawyer.

 

“Clyde Reed fashions some of the fattest, funkiest, double bass riffs around … dynamic, fluid and fun” — All About Jazz

Future Music Series online

Future Music Series will be online every Wednesday at 7pm PDT from Vancouver, Canada. Scroll down to find information to join the webcast.

Find your local time using this Time and date calculator tool to find your time for my event clicking on this link will show a chart that lists the time of every time zone at 7pm PDT.

Each show will be about 30 minutes of showing new work, works in progress and discussing media art, followed by 10 minutes of chat Q+A and audience interaction.

Once a month there will be a special longer show that features a live, streaming performance.

If the show is over, there there will be a link to the Future Music Show information page that will be updated with all the video recordings of the show and with links to any material launched or discussed.

Future Music Series LOGO

FUTURE MUSIC SERIES ONLINE  – VIMEO LIST

SCHEDULE

#12 – April 28 – Season Final Episode

#11 – April 21 – Polymer Dance + VIXmedia — Update on Work in Progress “Cosmic Dance”

#10 – April 14 – Polymer Dance – Showing of Social Distance Performance – Rendimiento a Distancia Social and Work in Progress

Official Polymer Dance website

Social Distance Performance – Rendimiento a Distancia Social Project on this site

#9 – April 7 – Hold Your Breath – Interview with Jude Abrams + Terry L. Brown of Otter Be Good Productions

Hold Your Breath Demo – Project outline and demo video on this site

#8 – March 31 – Solo Show – Ramah Dance and work in progress 

#7 – March 24 – VJ VIX – work in progress – ambient music and video processing

#6 March 17 – Share A Tweet – interactive installation

Share A Tweet webpage on this site for more information

#5 March 10 – Postcards From Vernon – Showing of Work in progress

Postcards From Vernon  website created by Victoria Gibson and webpage on this site about her 2015 residency

Special March 8th – Song for International Womens Day sing along 

#4 March 3 – Girl Can Dream – Singer/Songwriter, Victoria Gibson (1set)

#3 Feb 24 – Live Stream Music Show with You Are Here – (YAH) duo (2 sets)

#2 Feb 17 – We Are the Glitch – Interview with Elizabeth Barnes + About: You Are Here (YAH)

#1 Feb 10th – Film premiere of 2018 Sound Seed: Tribute to Pauline Oliveros DVD Launch Concert

HOW TO ATTEND

Every show will have the same URL and password

I use WebEx – it is similar to Zoom, but has some features I like.

Note: Your mic will be turned OFF when you enter the meeting but you will be able to hear and chat.

Open the Chat window to chat. the link is on your right facing the screen.

You can watch directly in your browser – some may require you to install a Cisco WebEx plugin

There are apps for your phone in both Apple and Android versions on the same link below or go to your App Store and search WebEx Meetings to get the free player.

It should automatically ask you if you want to download the Meeting app when you click on the URL, but if it does not

Click on the link below and scroll down to the bottom of the page to download WebEx Meetings

Click here to download the app – Choose the old  WebEx Meetings app – NOT TEAMS

More ways to join:
Join from the meeting link
https://vixmedia.my.webex.com/vixmedia.my/j.php?MTID=m37b7ac9180cd41a9a1f421b980716b66
Join by meeting number
Meeting number (access code): 142 446 4761
Meeting password: MasaDepan2021 (62723372 from phones and video systems)

We acknowledge the support of the Canada Council for the Arts in the production of the 2021 Future Music Online Series.

Canada Council for the Arts Of

Social Distance Performance – Rendimiento a Distancia Social

In response to the lack of live performance during the COVID-19 pandemic I have started a series of socially distanced duo performances.

Dr. Bonnie Henry assured British Columbians that transmission is unlikely outside in the open as long as social distancing measures are respected.

All these performances are freely improvised, although in some cases we have a concept to focus upon.

I will continue to make the videos and post them to Vimeo, then list them here as they are completed.

Polymer Dance and VIXmedia – Session 1

Video #1 – “Social Distance – Rendimiento a Distancia Social”

I conceived this work to demonstrate artwork with social distancing. Miriam and I are 6 feet apart at all times.
I prepared 6 ft long strings with yellow tape to mark the distance at each end and brought a long measuring tape, seen clearly in the foreground.

This was also to assist any potential audience to maintain a correct distance. We weren’t really sure what would happen.

 

Video #2 – “7pm: Our Community Tribute” – ” 7 pm: nuestro homenaje comunitario”

The second video from this same session. Miriam speaks Spanish, so we agreed to make the titling bilingual.


 

You Are Here

Video #3 – Bird Serenade

You Are Here, (YAH Band) is the name of of our group. A session outside with Paul Plimley playing Degan glockenspiel and Victoria with the Greenfield classical guitar. Our concept was to play where we had so often enjoyed birdsong to entice the local birds to improvise with us.

This video had the most bird song joining us.


Polymer Dance with VIXmedia – Session 2

Video #4 – Deliberate Reflections/ Reflexiones deliberadas

Deliberate Reflections/ Reflexiones deliberadas from victoria gibson on Vimeo.

This was from our second session of improvised movement and music in the park.

Hold Your Breath

A new Hold Your Breath film will premiere as part of the 2021 New York City Electroacoustic Music Festival (NYCEMF).

 

Hold Your Breath – 2021 from victoria gibson on Vimeo.

The festival will be online this year due to pandemic restrictions and begins June 21, 2021. Find the complete program NYCEMF website home page with current program book.     Hold Your Breath is listed as part of Concert 18.

I will post the video here after the premiere is complete.

Hold Your Breath Demo by Victoria Gibson using underwater sound and video contributed by Jude Abrams and Terry L Brown, Amphibiographer on Vimeo.
January 2019 release

Hold Your Breath
Imagine that slowly, sound and images fill your senses — your space is filling with liquid — you are underwater! Hold Your Breath and experience the wonder of the underwater world. Fish, seals, barnacles and other creatures fill the screen accompanied by original music.
Water is essential to life and human actions are degrading the environment at an alarming rate. It is our hope that by creating an immersive underwater environment, people will experience the fragile beauty in a emotional, visceral way. The project will give an intimate look at the underwater world that few of us ever see.

The Artists
Victoria Gibson, lead artist on the project, has collected video and audio recorded underwater from the archives of her friends at Otter Be Good Productions. The resulting curated video will be assembled into a work for live music with projection performance and streaming or download.

Victoria Gibson is an Integrated Media Artist blending sound + light + motion to create amazing art experiences. Creating magic using advanced techniques to spark curiosity and involve audiences with interactive gesture controls or other innovative technology. She makes complex and experimental works that emerge from the nexus of art and technology, but remain accessible and fun.
Victoria regularly collaborates with two residents of Powell River. Terry L. Brown and Jude Abrams, who will be acting as expert advisers. They scuba dive together and have formed a production company, Otter Be Good Productions, specializing in underwater photography and video. Learn more about their work on their site Otter Be Good Productions.

The resulting curated video will be assembled into a film and processed for use in live performance. Victoria will also compose and create the sound design and music. Some of Victoria’s digital visual art images may also be included and she will be adding effects and transitions. Her artistic treatment will add an element of human intervention to to the images and video of natural environments.

Concept
The work is planned to be about 20 minutes in length to showcase the wealth of beautiful videos available. The project will focus on the life forms in the water, particularly the fish, but will give an intimate look at the underwater world. The video showing our endangered ocean is provided by agreement with Otter Be Good Productions of Powell River BC.

Publishing and Presentation
Hold Your Breath is conceived as a journey from a fresh water stream to the ocean in four sections: 1. Fresh water stream waterfall to flowing water 2. Estuary where fresh meets salt water 3. Shallow ocean 4. Deeper ocean. The music for each section will be composed by Victoria Gibson to accompany the video exploration provided by Otter Be Good. The demo video contains excerpts from two musical movements 1 Moving Stream and 3 Salt Solution Sequence, but the video is taken from the entire selection for the film.

The first presentation method will be as a HD video release in stereo, with surround sound available for theatrical showings. This same material will be remastered for use in Victoria’s live show where she controls visual elements and performs her compositions with interactive projection and music. Each performance is different because she improvises the timing of prepared materials while playing electric guitar and singing into her computer.

Future plans include development of the material for digital dome or VR immersive environments.


Wed. April 7, 2021 Victoria Gibson interviews Terry L. Brown and Jude Abrams on her weekly online show. They talk about their collaboration on this project and the new Otter Be Good project, “Welcoming Whales”.

Future Music Online Series – Episode 9: Hold Your Breath

Sound Seed: Tribute to Pauline Oliveros

July 2018

Sound Seed: Tribute to Pauline Oliveros premiere at the  New York City Electroacoustic Music Festival

Concert 21, Abrons Art Center, Playhouse Sunday, July 22, 2018, 8-10 PM documentation

Sound Seed: Tribute to Pauline Oliveros premiere as part of the New York City Electroacoustic Festival (NYCEMF)

The performance includes audio and visual samples taken from my time with Pauline and the Deep Listening Band in the Cistern in 2009.

The performance is a structured improvisation, so it is different each time. The visuals are programmed to activate with the musical material when it is triggered.


Sound Seed performed September 17, 2018 in Vancouver, Canada

Sound Seed performed in Vancouver, Canada as part of the Quiet City Series curated by Constantine Katsiris on September 27, 2019. Quiet City is one of my favourite concert series as the music is always unusual and interesting. The posters by JJD Works always include Vancouver content with a local creature and landmark included. I feel lucky to have the eagle and the library.


Sound Seed DVD image
Sound Seed Version 1 is a limited edition print of 250 copies, each numbered and signed by the artist.

The Sound Seed DVD launch was held at Array Music
in Toronto on June 10, 2018.

An announcement of the DVD launch and a showing of the work-in-progress of the live visuals was announced in The Whole Note music magazine in the June/July/August Summer edition on pages 22 and 63.

Coman Poon, multimedia artist and writer, attended the DVD launch. He interviewed me about the project while I was in Toronto. The article, Who is Victoria Gibson? can be found by following the link.

DVD Launch June 2018 – Work in Progress showing of Sound Seed

The DVD launch event for the Sound Seed: Tribute to Pauline Oliveros film will be in Toronto at Array Music. Sunday, June 10th, 2018 as part of the Somewhere There Series.

In 2021, I released a documentary video of the concert as part of my Future Music Online Series.

I will be performing a work in progress of the interactive version of Sound Seed live. The evening will include an opening set by a local Toronto performer, and a closing set by Play the Moment Duo.

This incarnation of Play the Moment is Victoria Gibson, playing guitar and singing through computer software with Bob Vespaziani, electronic percussion.

January 2018

In honour of Pauline Oliveros, legendary American composer and educator, the Media Arts Committee (MAC) at CFRO Co-op radio, Vancouver, Canada commissioned several composers to create audio works that were released as part of a Deep Listening Day event. On January 10, 2018, the public was invited to tour the new radio station location and listen to the composers talk about their work. Later, five of the composers were featured on the Soundscape radio show and their works were played on-air. [Click to Listen to Soundscape show archive]

Sound Seed: Tribute to Pauline Oliveros  was released to the public along with the works of seven other composers commissioned as part of the Deep Listening Project. The works were played on the CFRO January 10th Soundscape radio show (link to show archive), hosted by Brady Marks.

During her lifetime Pauline Oliveros changed the way we listen. Her innovative work exemplified the difference between the deliberate action of deep listening and the passive state of hearing.

This work is called Sound Seed because Pauline carried her insights and methods around the world to plant seeds of inspiration.  Many of these seeds grew in the minds and hearts of deep listeners who carry on her work.  Some are musicians or sound artists, and others follow different paths, but all are engaged in the practice of deep listening.

Sound Seed is a reflection upon the time that I spent with Pauline Oliveros. It is based on an exploration of the sounds we generated in the Cistern located in Fort Worden State Park. Pauline was recording there with the members of the Deep Listening Band, Stuart Dempster and the late David Gamper, in May of 2009. The sampled material I use in this work is from a brief session when I was invited to play with the ensemble. The visual material was taken as part of my role documenting the 25th Anniversary of the Deep Listening Band.

About Performer/Composer/Technologist

Victoria Gibson is an early adopter of technology who continues to push the boundaries of the possible. Although her core training is in music, she enjoys integrating visual elements such as video and projections into her performances. Each performance is unique because of the improvisational elements she includes in her compositions.

Victoria enjoys exploring the beauty of non-linear storytelling through digital media that often encourages the participant to interact with the content. She has the ability to create magic using advanced tools to engage and empower audiences to take control of their art experience. Gibson makes complex and experimental works that emerge from the nexus of art and technology, but remain accessible and fun.

Her work explores methods of revealing the past within the present by examining a specific object, person or location using integrated words, sound, music, images and video. Her goal is to offer both insights into societal issues and deeper connections with our histories. Sound + light + motion combine in a holistic multi-sensory experience to create exciting time based art revealed in installation, performance, internet or video publication. She is an early adopter of technology and has participated in international live streaming concerts, festivals and media events. Observing the merging of previously discrete art practices within the digital domain, in 2008 she created the term Integrated Media Arts to describe her art works.

Victoria is very concerned about social issues and the environment, causes that have inspired much of her work. Gibson holds a BA major in music from the University of British Columbia and is a resident of Vancouver, BC.

Technical Requirements

Sound Seed is arranged as an electro-acoustic composition that includes live voice, synthesizer, samples and guitar played through a computer.

A stereo PA system with monitors, a desk and chair and sufficient power are required for performance.

Visuals are optional but a 13 minute video is available that can include interactive elements if the situation is optimal and additional equipment is available. More information available on request.